| Signal
Ensemble Revives its 'Waiting for Godot'
CHICAGO, July 11, 2005 — Due to audience
demand Signal Ensemble Theatre will open its 2005/06 season
with a revival of its acclaimed production of Samuel Beckett’s
WAITING FOR GODOT, running Aug. 11 through
Sept 4, 2005, in the studio at the Chopin Theatre (1543 W.
Division). Opening night is Thursday, Aug. 11 at 8
p.m. Tickets may be purchased at SignalEnsemble.com
or reserved at (773) 347-1350.
Widely lauded as a seminal masterwork of the
20th century, Samuel Beckett's WAITING FOR GODOT is at once
a vaudevillian farce and a heartrending expression of our
fear of uncertainty. Also a study of intimate relationships
in all their comfortable and irritating glory, it illustrates
our need for companionship, our want of understanding, and
our desperate hope that something good is waiting for us.
WAITING FOR GODOT was Samuel Beckett’s
first professionally produced play. It opened in Paris in
1953 and has since become a cornerstone of modern theater.
In it, two seemingly vagrant men, Estragon and Vladimir, are
waiting to keep an appointment with someone named Godot. During
a seemingly interminable cycle of days and nights blending
together, the two longtime friends do anything to pass the
time: they play word games, bicker, laugh, and muse on the
Bible and the chance of God seeing them. The only figures
they encounter are Pozzo, his slave Lucky, and a boy.
Rather than highlighting the play’s
well-known elements of clowning and absurdism, Signal’s
production focuses on the characters’ friendship and
humanity. Setting the piece right where Beckett wished it,
on a road with a tree, Signal continues its mission to let
the words lead the way through ensemble-based collaboration
and performance.
Signal's production originally opened at the
Chopin studio in January 2005 and won critical acclaim. The
Chicago Reader's Mary Shen Barnidge deemed the production
"highly recommended" and called it "immediate
and engaging." The show is "very contemporary and
very Chicago," wrote Theatre Scene's Jason Tyne, adding
that it was "simple and vibrant."
Signal general artistic director Ronan
Marra returns to direct the production. For Signal
he directed his own Jeff-nominated Landslide, Much
Ado About Nothing and his own Learning to Fly.
Marra also directed the award-winning one-act version of Learning
to Fly in New York, as well as Say Goodnight Gracie,
The Swan, and The Messiah. Learning
to Fly has been mounted at theaters in New York, Chicago
at the Bailiwick, and Marra's alma mater, Kent State University.
Samuel Beckett (Author) was
born in Dublin in 1906 and graduated from Trinity College.
He spent most of his life in Paris, where he died in 1989.
Originally written in French, WAITING FOR GODOT (En Attendant
Godot) was translated into English by Beckett. One of the
most celebrated authors of the 20th century, Beckett was awarded
the Nobel Prize for Literature in 1969. His other plays include
End Game, Krapp’s Last Tape, and Happy
Days. He is the author of several novels including Murphy,
Molloy, Malone Dies, and The Unnamable.
Reprising their roles in WAITING FOR GODOT
are Signal Ensemble members Christopher Prentice
(Landslide, Catch-22; title role in Velvet
Willies' Hamlet) as Estragon, Aaron Snook
(Catch-22, Dramatists' Jeff-winning Only the
Sound) as Vladimir, and Joseph Stearns
(Catch-22, Much Ado About Nothing; 5.2.1's
The Sleeper; Velvet Willies' Hamlet) as
Pozzo. Benton Reynolds (Lookingglass' Formula
28, Boxer Rebellion's God's Country) returns
as the Boy. Anthony Ingram joins them as
Lucky.
The creative team for WAITING FOR GODOT includes
Nancy Freeman (setting), Laura M.
Dana (costumes), Julie E. Ballard
(lighting), Lara Maerz (props), David
Blixt (original violence). Stephanie Ehemann
is the stage manager.
Productions Plus is the exclusive production
sponsor for WAITING FOR GODOT. The play is produced by special
arrangement with Dramatists Play Service Inc.
WAITING FOR GODOT will play in the studio
at the Chopin Theatre (1543 W. Division) Aug. 11 through Sept.
4, 2005 as follows: Thursday through Saturday at 8 p.m. and
Sunday at 3 p.m. There will be two Monday performances, Aug.
15 and Aug. 29, at 7 p.m. Tickets range from $10 to $15 and
may be purchased online at SignalEnsemble.com or reserved
at (773) 347-1350. The Chopin Theatre is accessible by the
CTA Blue Line train (Division) and buses (70-Division, 56-Milwaukee,
18-Ashland).
About Signal Ensemble Theatre, NFP
Known for its ensemble acting and producing a diverse slate
of plays that ranges from classics to new works, Signal Ensemble
Theatre uses the actor as focal point to clearly present the
playwright's vision. Founded by its three artistic directors,
the company began producing in 2003. Signal's second season
featured critically acclaimed productions of Catch-22,
WAITING FOR GODOT, and Landslide (nominated for two
Jeff Citations).
# # #
Contact:
Christopher Prentice
773.347.1350
chris@signalensemble.com
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